Top 6 Apps Similar to Sense and Sensibility

Les Misérables by Victor Hugo, is aFrenchhistorical novel first published in 1862. It is consideredone ofthe greatest novels of the nineteenth century. IntheEnglish-speaking world, the novel is usually referred to byitsoriginal French title, which can be translated from the FrenchasThe Miserables, The Wretched, The Miserable Ones, The PoorOnes,The Wretched Poor, or The Victims. Beginning in 1815andculminating in the 1832 June Rebellion in Paris, the novelfollowsthe lives and interactions of several characters, focusingon thestruggles of ex-convict Jean Valjean and his experienceofredemption. Examining the nature of law and grace, thenovelelaborates upon the history of France, the architecture andurbandesign of Paris, politics, moral philosophy,antimonarchism,justice, religion, and the types and nature ofromantic andfamilial love.

*** FREE TODAY ****** 8 Books - all in eBook and Audio format ***Jane Austen (16 December 1775 – 18 July 1817) wasanEnglishnovelist whose works of romantic fiction, set amongthelandedgentry, earned her a place as one of the most widelyreadwritersin English literature. Her realism, biting ironyandsocialcommentary as well as her acclaimed plots havegainedherhistorical importance among scholars and critics.Austen lived her entire life as part of aclose-knitfamilylocated on the lower fringes of the English landedgentry.She waseducated primarily by her father and older brothersas wellasthrough her own reading. The steadfast support of herfamilywascritical to her development as a professional writer.Fromherteenage years into her thirties she experimentedwithvariousliterary forms, including an epistolary novel whichshethenabandoned, wrote and extensively revised three majornovelsandbegan a fourth. From 1811 until 1816, with the release ofSenseandSensibility (1811), Pride and Prejudice (1813),MansfieldPark(1814) and Emma (1815), she achieved success as apublishedwriter.She wrote two additional novels, Northanger AbbeyandPersuasion,both published posthumously in 1818, and began athird,which waseventually titled Sanditon, but died beforecompleting it.Austenhad many admiring readers in the 19th centurywhoconsideredthemselves part of a literary elite: they viewedtheirappreciationof Austen's works as a mark of their culturaltaste.Philosopherand literary critic George Henry Lewes expressedthisviewpoint ina series of enthusiastic articles published inthe1840s and 1850s.This theme continued later in the centurywithnovelist HenryJames, who referred to Austen several timeswithapproval and onone occasion ranked her with Shakespeare,Cervantes,and HenryFielding as among "the fine painters oflife".Several important works paved the way for Austen'snovelstobecome a focus of academic study. The first importantmilestonewasa 1911 essay by Oxford Shakespearean scholar A. C.Bradley,whichis "generally regarded as the starting-point fortheseriousacademic approach to Jane Austen". In it, heestablishedthegroupings of Austen's "early" and "late" novels,which arestillused by scholars today. The second was R. W.Chapman's 1923editionof Austen's collected works. Not only was itthe firstscholarlyedition of Austen's works, it was also the firstscholarlyeditionof any English novelist. The Chapman text hasremained thebasisfor all subsequent published editions of Austen'sworks. Withthepublication in 1939 of Mary Lascelles's Jane Austenand HerArt,the academic study of Austen took hold. Lascelles'sinnovativeworkincluded an analysis of the books Jane Austen readand theeffectof her reading on her work, an extended analysis ofAusten'sstyle,and her "narrative art". At the time, concern aroseover thefactthat academics were taking over Austen criticism anditwasbecoming increasingly esoteric — a debate that has continuedtothebeginning of the 21st century.

Haggard was an Englishwriter,colonialadministrator and novelist. He travelled extensivelyandmost ofthe settings in his novels are borrowed from thesetravels.Thenative population of the British coloniesaretreatedsympathetically in his works.-----------------"O Amen, Father of the Spirit of this Queen, show now thywill,thatwe may learn it and obey."For a while there was silence, till suddenly a sound washeardinthe dark sanctuary where stood the statue of the god, asound asofa stick tapping upon the granite floor. Then the curtainsofthatsanctuary were drawn, and standing between them thereappearedthefigure of an ancient, bearded man, with stony eyes, whowasclad ina beggar's robe. It was he who had met Tua and Astiinthewilderness and eaten up their food. It was he who had savedtheminthe palace of the desert king. It was he who but lastnighthadwalked the camp of Abi.

THE subject of the supernatural inmodernEnglish fiction has been found difficult to deal with becauseofits wealth of material. While there has been no previous bookonthe topic, and none related to it, save Mr. C. E. Whitmore’sworkon The Supernatural in Tragedy, the mass of fictionitselfintroducing ghostly or psychic motifs is simply enormous. Itismanifestly impossible to discuss, or even to mention, all ofit.Even in my bibliography which numbers over three thousandtitles, Ihave made no effort to list all the available examples ofthe type.The bibliography, which I at first intended to publishinconnection with this volume, is far too voluminous to beincludedhere, so will probably be brought out later byitself.It would have been impossible for me to prosecute the researchworkor to write the book save for the assistance generously givenbymany persons. I am indebted to the various officials ofthelibraries of Columbia University and of New York City,particularlyto Miss Isadore Mudge, Reference Librarian of Columbia,and to theauthorities of the New York Society Library forpermission to usetheir priceless out-of-print novels in the KennedyCollection. Myinterest in English fiction was increased during myattendance onsome courses in the history of the English novel,given by Dr. A.J. Carlyle, in Oxford University, England, severalyears ago. Ihave received helpful bibliographical suggestions fromProfessorBlanche Colton Williams, Dr. Dorothy Brewster, ProfessorNelsonGlenn McCrea, Professor John Cunliffe, and Dean TalcottWilliams,of Columbia, and Professor G. L. Kittredge, of Harvard.ProfessorsWilliam P. Trent, George Philip Krapp, and Ernest HunterWrightvery kindly read the book in manuscript and gave valuableadviceconcerning it, Professor Wright going over the material withme indetail. But my chief debt of gratitude is to Professor AshleyH.Thorndike, Head of the Department of English andComparativeLiterature in Columbia, whose stimulating criticism andkindlyencouragement have made the book possible. To all ofthese—andothers—who have aided me, I am deeply grateful, and I onlywishthat the published volume were more worthy oftheirassistance.

Lawrence confronts issues relating to health, spontaneity,andinstinct.

Wuthering Heights is Emily Brontë's onlynovel.Written between October 1845 and June 1846, WutheringHeights waspublished in 1847 under the pseudonym "Ellis Bell";Brontë died thefollowing year, aged 30. Wuthering Heights and AnneBrontë's AgnesGrey were accepted by publisher Thomas Newby beforethe success oftheir sister Charlotte's novel, Jane Eyre. AfterEmily's death,Charlotte edited the manuscript of WutheringHeights, and arrangedfor the edited version to be published as aposthumous secondedition in 1850. Although Wuthering Heights isnow widely regardedas a classic of English literature,contemporary reviews for thenovel were deeply polarised; it wasconsidered controversial becauseits depiction of mental andphysical cruelty was unusually stark,and it challenged strictVictorian ideals of the day, includingreligious hypocrisy,morality, social classes and gender inequality.This work is in the public domain, and therefore has beenidentifiedas being free of known restrictions under copyright law,includingall related and neighboring rights.