Description

Parallèlement à l'obtention de son diplôme de dessinateurmaquettiste, il commence le graffiti en 2003, inspiré directementpar la jeune scène montante du graffiti hexagonal et européen(Marko 93, Dire132, Daim, Vesod, Dran, Gris One, Inti, Vhils, Noart ...) mais aussi par le monde de la bande dessinée (Enki Bilal,Frank Miller...).

La bombe de peinture est son outil de prédilection car il est lemédium idéal pour la peinture en grand format et surtout lui laisseune grande liberté quant au choix des supports.

Les lieux abandonnés, usés par le temps, les friches et usineslaissées aux mains de la nature lui ouvrent de nouvellesperspectives. En 2009, il met de côté son travail figuratif pourdévelopper un travail plus abstrait, par le biais de formes envolume circulant et se matérialisant dans des lieux incongrus. Dèslors, il s'efforce de sortir le graffiti de ses conventions en lefaisant évoluer sur le sol, les plafonds…

Dans la rue, en friche, sur toile ou dans une installation, laforme de son travail prend sens avec les éléments qui l'entourent.Ensemble, ils créent une mélodie qui s'inspire de la mélancolie dulieu où l'on se trouve.

La photographie joue un rôle important dans la transcription deces émotions, laissant une trace de ces oeuvres vouées àdisparaître, elles aussi.

La rue est son aire de jeux. Il y trouve différentes surfacesqui lui permettent de matérialiser son œuvre.

Avec la toile, il plonge dans le châssis, lui transmets une âme,inspirée de ces mêmes murs de friches marqués par le temps.

Jamais réellement achevé, son champ d'expérimentation n'a pas delimites. Car même s'il n'y a plus ni toiles ni murs, reste la voieouverte de son imagination.

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Djalouz Art

Born in 1985 and raised in Paris, Djalouz is a French mixedmedia artist and street activist. In 2003, he graduated in designand became involved in graffiti.
He was directly inspired by the young French and European risingscene (Marko 93, Dire132, Daim, Vesod, Dran, Gris One, Inti, Vhils,No art...) and also by comic strip universe (Enki Bilal, FrankMiller).

Spray can has always been Djalouz’s favourite instrument, itsideal for large format paintings and can be applied on multiplesurfaces.

Abandoned industrial sites, wastelands and other places worn outby time allow him to open new universes’. In 2009 Djalouz putsaside his figurative work and develops an abstractive one throughshapes and volume performing into incongruous places.

From then on, Djalouz has never stopped to take graffiti out ofits own conventions by painting from the ground to the ceiling… andwherever!
Through streets and industrial wastelands as well as on the canvasor artwork, Djalouz’s work takes sense from elements surroundingit. They create a melody inspired by the melancholy of theplace.

Photography has also an important role in emotionaltranscription by leaving a trace of these works that due to theirvery nature are bound to disappear. Manufactured landscapes are byfar his favourite playground.

With canvas painting, Djalouz buries himself into the frame andconfers a soul to it.
A soul inspired by these disused places scarred by time. Hiscontinuous evolution is ongoing and his experimentation has nolimit. Beyond the canvas and walls, the gate of his imagination isdeep and wide.

Along with the graduation of designer designer, he startedgraffiti in 2003, inspired by the young rising scene hexagonal andEuropean graffiti (Marko 93 Dire132, Suede, Vesod, Dran, Gris One,Inti, Vhils, No art ...) but also the world of comics (Enki Bilal,Frank Miller ...).

The spray paint is the tool of choice because it is the idealmedium for painting in large format and especially let him greatfreedom in the choice of media.

Abandoned places, worn by time, wastelands and plants left inthe hands of nature opens up new perspectives. In 2009, he putaside his figurative work to develop a more abstract work, throughforms circulating volume and materializing in incongruous places.Therefore, it tries to remove the graffiti its conventions bydeveloping it on the floor, ceiling ...

In the street, fallow, on canvas or in a facility, the form ofhis work makes sense with the surrounding elements. Together theycreate a melody inspired by the melancholy of the place where youare.

Photography plays an important role in the transcription ofthese emotions, leaving a trail of these works are destined todisappear, too.

The street is their playground. There are various areas thatallow him to materialize his work.

With canvas, he plunges into the chassis, it convey a soulinspired by these walls wasteland marked by time.

Never actually completed his experimental field has no limits.Because even if there is neither paintings nor walls, remains openway of his imagination.

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Djalouz Art

Born in 1985 and raised in Paris, French Djalouz is a mixedmedia artist and activist street. In 2003, he graduated in designand Became Involved in graffiti.
He was Directly inspired by the rising young French and Europeanscene (Marko 93 Dire132, Suede, Vesod, Dran, Gris One, Inti, Vhils,no art ...) and aussi by comic strip universe (Enki Bilal, FrankMiller) .

Spray can has always beens Djalouz's favorite instrument, ictsideal for wide format paintings and can be Applied on multiplesurfaces.

Abandoned industrial sites wastelands and other places worn outby time allow him to open new universes'. In 2009 Djalouz putsaside His figurative work and Develops an abstractive one throughshapes and volume into performing incongruous places.

From then on, Djalouz HAS never stopped to take graffiti out oficts own conventions by painting from the ground to the ceiling ...and Wherever!
Through streets and industrial wastelands as well as on the canvasor artwork, Djalouz's work takes sense from Elements surroundingit. They create a melody inspired by the melancholy of theplace.

HAS aussi year photography major role in emotional transcriptionby leaving a trail of thesis works That due to Their Very kind arebound to disappear. Manufactured landscapes are by far His favoriteplayground.

With canvas painting, Djalouz Buries himself into the frame andConfers a soul to it.
A soul inspired by thesis disused places scarred by time. Hiscontinuous evolution is Ongoing and his experimentation Has Nolimit. Beyond the canvas and walls, the Gate Time of the Oldimagination is deep and wide.